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36. Going Solo

Rating:  ☆☆☆

Recommended by:   

Author:  Roald Dahl

Genre:  Non-Fiction, Memoir, Humor

Info:  209 pages, published 1986

Format:  Book


Summary 

Going Solo is the autobiographical sequel of Boy, which is written by the world-famous author Roald Dahl (author of many famous children’s books including personal favorites Charlie and the Chocolate Factory, James and the Giant Peach and Fantastic Mr. Fox).  It is about his life as a worker with the Shell Company in Africa and an RAF fighter pilot during World War II.  Dahl hilariously recounts stories from his adventurous life as a young man, out on his own and ready to conquer the world.

Quotes

“A life is made up of a great number of small incidents and a small number of great ones.”

“What a fortunate fellow I am, I kept telling myself. Nobody has ever had such a lovely time as this!”

“I was already beginning to realize that the only way to conduct oneself in a situation where bombs rained down and bullets whizzed past, was to accept the dangers and all the consequences as calmly as possible.  Fretting and sweating about it all was not going to help.”

“Mary Welland was certainly lovely. She was gentle and kind. She remained my friend all the time I was in hospital. But there is a world of difference falling in love with a voice and remaining in love with a person you can see. From the moment I opened my eyes, Mary became a human instead of a dream and my passion evaporated.”

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35. The Year of Magical Thinking

Rating:  ☆☆☆1/2

Recommended by:  N/A

Author:  Joan Didion

Genre:  Non-Fiction, Memoir

Info:  227 pages, published February 13, 2007

Format:  Book

Summary 

In The Year of Magical Thinking, Joan Didion, one of the country’s most famous writers, explores the grief she suffered as the result of the death of her husband John Dunne and the life threatening illness of their only child, Quintana.  Didion creates a portrait of loss by her portrayal of married and family life.

Quotes

 “We were not having any fun, he had recently begun pointing out. I would take exception (didn’t we do this, didn’t we do that) but I had also known what he meant. He meant doing things not because we were expected to do them or had always done them or should do them but because we wanted to do them. He meant wanting. He meant living.”

“I could not count the times during the average day when something would come up that I needed to tell him. This impulse did not end with his death. What ended was the possibility of response.”

“I did not always think he was right nor did he always think I was right but we were each the person the other trusted.”

“I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”

“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”

“In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”

“People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness. It is the look of someone who walks from the ophthalmologist’s office into the bright daylight with dilated eyes, or of someone who wears glasses and is suddenly made to take them off. These people who have lost someone look naked because they think themselves invisible. I myself felt invisible for a period of time, incorporeal. I seemed to have crossed one of those legendary rivers that divide the living from the dead, entered a place in which I could be seen only by those who were themselves recently bereaved.”

“We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves.  As we were.  As we are no longer.  As we will one day not be at all.”

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27. The Diving Bell and the Butterfly

Rating:  ☆☆☆

Recommended by:   Andrea Banks

Author:  Jean-Dominique Bauby

Genre:  Non-Fiction, Memoir

Info:  132 pages, published June 23, 1998

Format:  Book

 

Summary 

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life.  By the end of the year he was also the victim of a rare kind of stroke to the brainstem which left in him in a state of locked in syndrome.  Only his left eye functioned, allowing him to see and, by blinking it, to communicate with the outside world.  Amazingly, he dictated his Memoir, a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again.  In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves.  Fed only intravenously, he imagines preparing and tasting the full flavor of his favorite foods.  Again and again he returns to an “inexhaustible reservoir of sensations,” keeping in touch with himself and the life around him.  Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

Quotes

“But I see in the clothes a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.”

“The memory of that event has only just come back to me, now doubly painful: regret for a vanished past and, above all, remorse for lost opportunities. Mithra-Grandchamp is the women we were unable to love, the chances we failed to seize, the moments of happiness we allowed to drift away. Today it seems to me that my whole life was nothing but a string of those small near misses: a race whose result we know beforehand but in which we fail to bet on the winner.”

“I need to feel strongly, to love and admire, just as desperately as I need to breathe.”

“Once, I was a master at recycling leftovers. Now I cultivate the art of simmering memories.”

“I am fading away. Slowly but surely. Like the sailor who watches his home shore gradually disappear, I watch my past recede. My old life still burns within me, but more and more of it is reduced to the ashes of memory.”

“Want to play hangman? asks Theophile, and I ache to tell him that I have enough on my plate playing quadriplegic.”

“Whereupon a strange euphoria came over me. Not only was I exiled, paralyzed, mute, half deaf, deprived of all pleasures, and reduced to the existence of a jellyfish, but I was also horrible to behold. There comes a time when the heaping up of calamities brings on uncontrollable nervous laughter – when, after a final blow from fate, we decide to treat it all as a joke.”

“But I see in the clothes a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.”

“I am fading away. Slowly but surely. Like the sailor who watches the home shore gradually disappear, I watch my past recede.  My old life still burns within me, but more and more of it is reduced to the ashes of memory.”

“I hoard all these letters like treasure.  One day I hope to fasten them end to end in a half mile streamer, to float in the wind like a banner raised to the glory of friendship.  It will keep the vultures at bay?

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21.  Why Not Me

Rating:  ☆☆☆☆

Recommended by:   

Author:  Mindy Kaling

Genre:  Non-Fiction, Memoir, Humor

Info:  240 pages, published September 15, 2015

Reading Format:  Audiobook


Summary 

In Why Not Me?, Kaling, writer and actor on “The Office” and “The Mindy Project,” shares a series of essays that provide hilarious details from her personal and professional life, from new friendships to beauty tips.  A follow up to her earlier Is Everyone Hanging Out Without Me?, which is also very funny and covers her childhood and young adult years, Why Not Me? focuses on Kaling’s Hollywood career and adult personal life. 

 

Quotes

Who is the beauty icon who inspires you most?  Is it Sophia Loren, Audrey Hepburn, Halle Berry?  Mine is Nofestreau because that vampire taught me my number one and number two favorite beauty tricks.  Avoid the sun at all costs and always try to appear shrouded in shadows.”

“People get scared when you try to do something, especially when it looks like you’re succeeding. People do not get scared when you’re failing. It calms them. But when you’re winning, it makes them feel like they’re losing or, worse yet, that maybe they should’ve tried to do something too, but now it’s too late. And since they didn’t, they want to stop you. You can’t let them.”

“the best kind of laughter is laughter born of a shared memory.” 

“People don’t say “Give me your honest opinion” because they want an honest opinion. They say it because it’s rude to say “Please tell me I’m amazing.”

“People talk about confidence without ever bringing up hard work. That’s a mistake. I know I sound like some dour older spinster on Downton Abbey who has never felt a man’s touch and whose heart has turned to stone, but I don’t understand how you could have self-confidence if you don’t do the work… I have never, ever, ever, met a high confident person and successful person who is not what a movie would call a ‘workaholic.’ Because confidence is like respect; you have to earn it.”

“Work hard, know your shit, show your shit, and then feel entitled. Listen to no one except the two smartest and kindest adults you know, and that doesn’t always mean your parents. If you do that, you will be fine.”

“As I got older, I got craftier and less obvious, but I’ve always put a lot of energy and effort into people liking me. That’s why I’ve never understood the compliment “effortless.” People love to say: “She just walked into the party, charming people with her effortless beauty.” I don’t understand that at all. What’s so wrong with effort, anyway? It means you care. What about the girl who “walked into the party, her determination to please apparent on her eager face”? Sure, she might seem a little crazy, and, yes, maybe everything she says sounds like conversation starters she found on a website, but at least she’s trying. Let’s give her a shot!” 

“I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.” 

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18. 365 Days of Thank You’s

Rating:  ☆☆☆☆

Recommended by:  N/A

Author:  John Kralick

Genre:  Non-Fiction, Memoir, Self-Improvement, Happiness

Info:  240 pages, published December 28, 2010

Format:  Book


Summary 

At the age of 53, John Kralik’s life was at a miserably low point.  He was 40 pounds overweight, his girlfriend had just broken up with him, he was living in a tiny apartment with inadequate heating and cooling, his law firm was failing, he was going through a painful second divorce, he had become estranged from his two older children and was afraid he might lose contact with his young daughter and all of his dreams–including becoming a judge, seemed hopelessly out of reach.  

Instead of lamenting his plight, John decided to find some way to be grateful for what he had rather than focus on what he didn’t.  Inspired by a beautiful, simple note his ex-girlfriend had sent to thank him for his Christmas gift, John thought he might find a way to feel grateful by writing thank-you notes. He set a goal of writing 365 thank-you notes in the coming year.  Every day, he began to hand write thank you notes, to his clients who paid their bills on time, to friends and relatives for gifts or kindnesses he’d received, to anyone else to whom he was appreciative.  Soon after sending his first notes, John noticed that good things started happening, from financial gain to friendship, from weight loss to inner peace.  Before long, his whole life turned around.  

Quotes

“One of the most comforting aspects of writing a thank-you note was that it produced a tangible product.  Although I was giving it away and not keeping a copy, I felt I had introduced something into the world that made a small positive difference.  A piece of paper that would most certainly have been thrown out had been turned into a concrete expression of gratitude to someone else — and would have a positive effect by reminding a person that they had touched me in a positive way.”

“Scott, Thank you for taking the time each morning to greet me in a friendly way.  It is also so wonderful to me that you took the time and trouble to remember my name.  In this day and age, few people make this effort, and fewer still do it in a way that feels sincere.  You do both.  It really makes a difference to me every day.”

“Life is very short.  You need to do what you think will make you happy.”

“Then I heard a voice: “Until you learn to be grateful for the things you have,” it said, “you will not receive the things you want.”

“If the voice I’d heard in the mountains had implied that I would get all that I wanted, it seemed, at least at this juncture, that it was a promise unfulfilled. Yet, by being thankful for what I had, I realized that I had everything I needed.”

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13. Lean In: Women, Work and the Will to Lead

Rating:  ☆☆☆☆

Recommended by:  Adrienne Bulinkski

Author:  Sheryl Sandberg

Genre:  Non-Fiction, Self-Improvement, Memoir

Info:  387 pages, published March 11, 2013

Format:  Audio Book


Summary 

When published in 2013, Lean In, Sheryl Sandberg’s provocative call to action about women and power quickly became part of the zeitgeist and the subject of much discussion among professional women.  The book grew out of an electrifying TED talk Sandberg gave in 2010, which has been viewed nearly 2,000,000 times, in which she expressed her concern that progress for women in achieving major leadership positions had stalled.  In Lean In, Sandberg relates humorous personal anecdotes, personal lessons on confidence and leadership, and practical advice for women based on research, data, her own experiences, and the experiences of other women of all ages.  Lean In wrestles with the great questions of modern life and Sandberg’s message to women is don’t sell yourself short and give up before you even try.  

 

Quotes

“Done is better than perfect.”

“Careers are a jungle gym, not a ladder.”

“When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands. When it comes time to settle down, find someone who wants an equal partner. Someone who thinks women should be smart, opinionated and ambitious. Someone who values fairness and expects or, even better, wants to do his share in the home. These men exist and, trust me, over time, nothing is sexier.”

“I have never met a woman, or man, who stated emphatically, “Yes, I have it all.'” Because no matter what any of us has—and how grateful we are for what we have—no one has it all.” 

“Fortune does favor the bold and you’ll never know what you’re capable of if you don’t try.” 

“Women need to shift from thinking “I’m not ready to do that” to thinking “I want to do that- and I’ll learn by doing it.” 

“we compromise our career goals to make room for partners and children who may not even exist yet” 

“Leadership is about making others better as a result of your presence and making sure that impact lasts in your absence.” (Harvard Business School definition of leadership)” 

“There is no perfect fit when you’re looking for the next big thing to do. You have to take opportunities and make an opportunity fit for you, rather than the other way around. The ability to learn is the most important quality a leader can have.”

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